The First Films of Samuel Fuller (Eclipse Series 5) Gothic With its delirious editing

With its delirious editing

Portraying the weight of closeted life and sexual anxiety with stylized scenes of swingers bars and dark alleys as shot by veteran Mario Vulpiani (Watch Me When I Kill)

and the strange phenomena that followed might not make that lifetime very long

police and populace alike start asking themselves with increasing panic: "Who is behind all this

Brand new audio commentary with film historian and eastern European cinema expert Michael Brooke

The First Films of Samuel Fuller (Eclipse Series 5) Gothic With its delirious editingHis films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U. S. history and mythmaking in westerns, film noirs, and war epics. And, characteristically, it all began with a bang: after printing the legend with the elegant B pictures I Shot Jesse James and The Baron of Arizona, he got himself into hot water with the FBI with The Steel Helmet, the